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Wofür bin ich dankbar
two design features—old stone elements (spolia) and a chromatic master plan based on a reconstruction of the historical colours of the façades—were used as prime evidence of historical authenticity in the debates that raged in the newspapers as the construction work proceeded
78% Cotton
80% Wolle (recycelt)
It is for decoration only and can not hold the hair
Soon by Emma van der Put green Wofür bin ich dankbarBy means of a dialogue between the text and the visual material from the videos, Steyn Bergs and Emma van der Put want to take a critical look at how images are mobilised, not only to illustrate certain visions of the future, but also how they contribute to the creation of such visionswhich are never neutralin the present. On the basis of the videos made by Van der Put, this publication focuses on the specific working and politics of images in the
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